«The way to have a good night’s rest is go bed not in the same day as you wake up.» - Способ хорошо выспаться: ложиться не в тот день, в который просыпаешься
 Sunday [ʹsʌndı] , 22 May [meı] 2022

Тексты адаптированные по методу чтения Ильи Франка

билингва книги, книги на английском языке

Марио Пьюзо. Крестный Отец

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Chapter 11

Captain Mark McCluskey sat in his office fingering three envelopes bulging with betting slips (игральные карточки; slip – длинная узкая полоска; бланк). He was frowning and wishing he could decode the notations on the slips. It was very important that he do so. The envelopes were the betting slips that his raiding parties had picked up when they had hit one of the Corleone Family bookmakers the night before. Now the bookmaker would have to buy back the slips so that players couldn't claim winners and wipe him out.

It was very important for Captain McCluskey to decode the slips because he didn't want to get cheated when he sold the slips back to the bookmaker. If there was fifty grand worth of action, then maybe he could sell it back for five grand. But if there were a lot of heavy bets and the slips represented a hundred grand or maybe even two hundred grand, then the price should be considerably higher. McCluskey fiddled (вертел в руках; fiddle – вертеть; to fiddle – играть на скрипке) with the envelopes and then decided to let the bookie sweat a little bit and make the first offer. That might tip off (может подсказать) what the real price should be.

McCluskey looked at the station house clock on the wall of his office. It was time for him to pick up that greasy (сальный, грязный) Turk, Sollozzo, and take him to wherever he was going to meet the Corleone Family. McCluskey went over to his wall locker (запирающийся шкафчик) and started to change into his civilian clothes. When he was finished he called his wife and told her he would not be home for supper that night, that he would be out on the job. He never confided (to confide – доверять/ся/; вверять /тайну/) in his wife on anything. She thought they lived the way they did on his policeman's salary (зарплата). McCluskey grunted with amusement. His mother had thought the same thing but he had learned early. His father had shown him the ropes (методы работы; rope – веревка, канат; петля).

His father had been a police sergeant, and every week father and son had walked through the precinct and McCluskey Senior had introduced his six-year-old son to the storekeepers (владельцы магазинов), saying, "And this is my little boy."

The storekeepers would shake his hand and compliment him extravagantly and ring open their cash registers to give the little boy a gift of five or ten dollars. At the end of the day, little Mark McCluskey would have all the pockets of his suit stuffed with paper money, would feel so proud that his father's friends liked him well enough to give him a present every month they saw him. Of course his father put the money in the bank for him, for his college education, and little Mark got at most a fifty-cent piece for himself.

Then when Mark got home and his policemen uncles asked him what he wanted to be when he grew up and he would lisp childishly, "A policeman," they would all laugh uproariously. And of course later on, though his father wanted him to go to college first, he went right from high school to studying for the police force.

He had been a good cop, a brave cop. The tough young punks terrorizing street corners fled when he approached and finally vanished from his beat altogether. He was a very tough cop and a very fair one. He never took his son around to the storekeepers to collect his money presents for ignoring garbage violations (нарушения по выбросу мусора ['gα:bıddʒ]) and parking violations; he took the money directly into his own hand, direct because he felt he earned it. He never ducked into a movie house or goofed (to goof – лодырничать, слоняться без дела) off into restaurants when he was on foot patrol as some of the other cops did, especially on winter nights. He always made his rounds. He gave his stores a lot of protection, a lot of service. When winos (алкаши) and drunks filtered up from the Bowery to panhandle on his beat (попрошайничать на патрулируемом им участке; panhandle – ручка кастрюли) he got rid of them so roughly that they never came back. The tradespeople in his precinct appreciated (to appreciate [∂ ‘prı:∫ıeıt] – ценить) it. And they showed their appreciation.

He also obeyed the system. The bookies in his precinct knew he would never make trouble to get an extra payoff for himself, that he was content for his share of the station house bag (своей долей из общего котла; station house – полицейский участок; bag – сумка; кошелек). His name was on the list with the others and he never tried to make extras. He was a fair cop who took only clean graft (работа, профессия; взятка) and his rise in the police department was steady if not spectacular (эффектный).

During this time he was raising a large family of four sons, none of whom became policemen. They all went to Fordham University and since by that time Mark McCluskey was rising from sergeant to lieutenant and finally to captain, they lacked for nothing. It was at this time that McCluskey got the reputation for being a hard bargainer (to bargain [‘bα:gın] – торговаться, заключать сделку). The bookmakers in his district paid more protection money than the bookmakers in any other part of the city, but maybe that was because of the expense of putting four boys through college.

McCluskey himself felt there was nothing wrong with clean graft. Why the hell should his kids go to CCNY or a cheap Southern college just because the Police Department didn't pay its people enough money to live on and take care of their families properly with? He protected all these people with his life and his record showed his citations (вызовы в суд; упоминания в списках об отличившихся) for gun duels with stickup (грабеж) men on his beat, strong-arm protection guys, would-be (претендующий, с претензией на то, чтобы быть кем-то) pimps (сутенеры). He had hammered them into the ground. He had kept his little corner of the city safe for ordinary people and he sure as hell was entitled (имеющий право, уполномоченный) to more than his lousy one C note (стодолларовая купюра) a week. But he wasn't indignant (возмущен) about his low pay, he understood that everybody had to take care of themselves.

Bruno Tattaglia was an old friend of his. Bruno had gone to Fordham with one of his sons and then Bruno had opened his nightclub and whenever the McCluskey family spent an infrequent (нечастый) night on the town, they could enjoy the cabaret with liquor and dinner – on the house. On New Year's Eve they received engraved invitations to be guests of the management and always received one of the best tables. Bruno always made sure they were introduced to the celebrities (знаменитости) who performed in his club, some of them famous singers and Hollywood stars. Of course sometimes he asked a little favor, like getting an employee with a record cleared for a cabaret work license, usually a pretty girl with a police dossier as a hustler or roller (вор-карманник). McCluskey would be glad to oblige (сделать одолжение, угодить [∂b'laıddʒ]).

McCluskey made it a policy never to show that he understood what other people were up to. When Sollozzo had approached him with the proposition to leave old man Corleone uncovered in the hospital, McCluskey didn't ask why. He asked price. When Sollozzo said ten grand, McCluskey knew why. He did not hesitate. Corleone was one of the biggest Mafia men in the country with more political connections than Capone had ever had. Whoever knocked him off would be doing the country a big favor. McCluskey took the money in advance (заранее, задатком; advance [∂d'vα:ns] – движение вперед; аванс) and did the job. When he received a call from Sollozzo that there were still two of Corleone's men in front of the hospital he had flown into a rage. He had locked up all of Tessio's men, he had pulled the detective guards off the door of Corleone's hospital room. And now, being a man of principle, he would have to give back the ten grand, money he had already earmarked (earmark – клеймо /на ухе/, тавро; to earmark – клеймить; откладывать деньги /на что-либо/) to insure the education of his grandchildren. It was in that rage that he had gone to the hospital and struck Michael Corleone.

But it had all worked out for the best. He had met with Sollozzo in the Tattaglia nightclub and they had made an even better deal. Again McCluskey didn't ask questions, since he knew all the answers. He just made sure of his price. It never occurred to him that he himself could be in any danger. That anyone would consider even for a moment killing a New York City police captain was too fantastic. The toughest hood in the Mafia had to stand still (по стойке смирно) if the lowliest patrolman decided to slap him around. There was absolutely no percentage in killing cops. Because then all of a sudden a lot of hoods were killed resisting arrest or escaping the scene of a crime, and who the hell was going to do anything about that?

McCluskey sighed and got ready to leave the station house. Problems, always problems. His wife's sister in Ireland had just died after many years of fighting cancer and that cancer had cost him a pretty penny. Now the funeral would cost him more. His own uncles and aunts in the old country needed a little help now and then to keep their potato farms and he sent the money to do the trick. He didn't begrudge (жадничать, жалеть, скупиться) it. And when he and his wife visited the old country they were treated like a king and queen. Maybe they would go again this summer now that the war was over and with all this extra money coming in. McCluskey told his patrolman clerk where he would be if he was needed. He did not feel it necessary to take any precautions. He could always claim Sollozzo was an informer he was meeting. Outside the station house he walked a few blocks and then caught a cab to the house where he would meet with Sollozzo.

It was Tom Hagen who had to make all the arrangements for Michael's leaving the country, his false passport, his seaman's card, his berth (койка) on an Italian freighter (грузовой корабль ['freıt∂]) that would dock in a Sicilian port. Emissaries were sent that very day by plane to Sicily to prepare a hiding place with the Mafia chief in the hill country.

Sonny arranged for a car and an absolutely trustworthy driver to be waiting for Michael when he stepped out of the restaurant where the meeting would be held with Sollozzo. The driver would be Tessio himself, who had volunteered for the job. It would be a beat-up-looking (побитый, обшарпанный) car but with a fine motor. It would have phony license plates and the car itself would be untraceable. It had been saved for a special job requiring the best.

Michael spent the day with Clemenza, practicing with the small gun that would be gotten to him. It was a .22 filled with soft-nosed bullets that made pinpricks (булавочные уколы) going in and left insulting gaping holes when they exited from the human body. He found that it was accurate up to five of his steps away from a target (цель). After that the bullets might go anywhere. The trigger was tight (тугой) but Clemenza worked on this with some tools (инструменты) so that it pulled easier. They decided to leave it noisy. They didn't want an innocent bystander misunderstanding the situation and interfering out of ignorant courage. The report of the gun would keep them away from Michael.

Clemenza kept instructing him during the training session. "Drop the gun as soon as you've finished using it. Just let your hand drop to your side and the gun slip out. Nobody will notice. Everybody will think you're still armed. They'll be staring at your face. Walk out of the place very quickly but don't run. Don't look anybody directly in the eye but don't look away from them either. Remember, they'll be scared of you, believe me, they'll be scared of you. Nobody will interfere. As soon as you're outside Tessio will be in the car waiting for you. Get in and leave the rest to him. Don't be worried about accidents. You'd be surprised how well these affairs go. Now put this hat on and let's see how you look." He clapped a gray fedora (мягкая фетровая шляпа [fı'd∂ur∂]) on Michael's head. Michael, who never wore a hat, grimaced. Clemenza reassured him. "It helps against identification, just in case. Mostly it gives witnesses an excuse to change their identification when we make them see the light. Remember, Mike, don't worry about prints. The butt (рукоятка) and trigger are fixed with special tape. Don't touch any other part of the gun, remember that."

Michael said, "Has Sonny found out where Sollozzo is taking me?"

Clemenza shrugged. "Not yet. Sollozzo is being very careful. But don't worry about him harming you. The negotiator stays in our hands until you come back safe. If anything happens to you, the negotiator pays."

"Why the hell should he stick his neck out?" Michael asked.

"He gets a big fee (вознаграждение, гонорар)," Clemenza said. "A small fortune. Also he is an important man in the Families. He knows Sollozzo can't let anything happen to him. Your life is not worth the negotiator's life to Sollozzo. Very simple. You'll be safe all right. We're the ones who catch hell afterwards."

"How bad will it be?" Michael asked.

"Very bad," Clemenza said. "It means an all-out war with the Tattaglia Family against the Corleone Family. Most of the others will line up with the Tattaglias. The Sanitation Department will be sweeping up a lot of dead bodies this winter." He shrugged. "These things have to happen once every ten years or so. It gets rid of the bad blood. And then if we let them push us around on the little things they wanta take over everything. You gotta stop them at the beginning. Like they shoulda stopped Hitler at Munich, they should never let him get away with that, they were just asking for big trouble when they let him get away with that."

Michael had heard his father say this same thing before, only in 1939 before the war actually started. If the Families had been running the State Department there would never have been World War II, he thought with a grin.

They drove back to the mall and to the Don's house, where Sonny still made his headquarters. Michael wondered how long Sonny could stay cooped up (coop – курятник; to coop – сажать в курятник, в клетку) in the safe territory of the mall. Eventually he would have to venture (отважиться) out. They found Sonny taking a nap on the couch. On the coffee table was the remains of his late lunch, scraps of steak and bread crumbs and a half-empty bottle of whiskey.

His father's usually neat office was taking on the look of a badly kept furnished room. Michael shook his brother awake and said, "Why don't you stop living like a bum (лодырь; /здесь/ бродяга) and get this place cleaned up?"

Sonny yawned. "What the hell are you, inspecting the barracks? Mike, we haven't got the word yet where they plan to take you, those bastards Sollozzo and McCluskey. If we don't find that out, how the hell are we going to get the gun to you?"

"Can't I carry it on me?" Michael asked. "Maybe they won't frisk me and even if they do maybe they'll miss it if we're smart enough. And even if they find it – so what. They'll just take it off me and no harm done."

Sonny shook his head. "Nah," he said. "We have to make this a sure hit on that bastard Sollozzo. Remember, get him first if you possibly can. McCluskey is slower and dumber. You should have plenty of time to take him. Did Clemenza tell you to be sure to drop the gun?"

"A million times," Michael said.

Sonny got up from the sofa and stretched. "How does your jaw feel, kid?"

"Lousy," Michael said. The left side of his face ached except those parts that felt numb because of the drugged wire holding it together. He took the bottle of whiskey from the table and swigged (swig – большой глоток /спиртного/; to swig – пить большими глотками) directly from it. The pain eased.

Sonny said, "Easy, Mike, now is no time to get slowed up by booze (спиртное, бухло)."

Michael said, "Oh, Christ, Sonny, stop playing the big brother. I've been in combat against tougher guys than Sollozzo and under worse conditions. Where the hell are his mortars (минометы)? Has he got air cover? Heavy artillery? Land mines? He's just a wise son of a bitch with a big-wheel (важный, влиятельный /человек/) cop sidekick (закадычный друг /сленг/). Once anybody makes up their mind to kill them there's no other problem. That's the hard part, making up your mind. They'll never know what hit them."

Tom Hagen came into the room. He greeted them with a nod and went directly to the falsely listed telephone. He called a few times and then shook his head at Sonny. "Not a whisper," he said. "Sollozzo is keeping it to himself as long as he can."

The phone rang. Sonny answered it and he held up a hand as if to signal for quiet though no one had spoken. He jotted some notes down on a pad, then said, "OK, he'll be there," and hung up the phone.

Sonny was laughing. "That son of a bitch Sollozzo, he really is something. Here's the deal. At eight tonight he and Captain McCluskey pick up Mike in front of Jack Dempsey's bar on Broadway. They go someplace to talk, and get this. Mike and Sollozzo talk in Italian so that the Irish cop don't know what the hell they are talking about. He even tells me, don't worry, he knows McCluskey doesn't know one word in Italian unless it's 'soldi' (деньги) and he's checked you out, Mike, and knows you can understand Sicilian dialect."

Michael said dryly, "I'm pretty rusty (ржавый; запущенный) but we won't talk long."

Tom Hagen said, "We don't let Mike go until we have the negotiator. Is that arranged?"

Clemenza nodded. "The negotiator is at my house playing pinochle (вид карточной игры) with three of my men. They wait for a call from me before they let him go."

Sonny sank back in the leather armchair. "Now how the hell do we find out the meeting place? Tom, we've got informers with the Tattaglia Family, how come they haven't given us the word?"

Hagen shrugged. "Sollozzo is really damn smart. He's playing this close to the vest, so close that he's not using any men as a cover. He figures the captain will be enough and that security is more important than guns. He's right too. We'll have to put a tail on Mike and hope for the best."

Sonny shook his head. "Nah, anybody can lose a tail when they really want to. That's the first thing they'll check out." By this time it was five in the afternoon. Sonny, with a worried look on his face, said, "Maybe we should just let Mike blast whoever is in the car when it tries to pick him up."

Hagen shook his head. "What if Sollozzo is not in the car? We've tipped our hand for nothing. Damn it, we have to find out where Sollozzo is taking him."

Clemenza put in, "Maybe we should start trying to figure why he's making it such a big secret."

Michael said impatiently, "Because it's the percentage. Why should he let us know anything if he can prevent it? Besides, he smells danger. He must be leery (подозрительый, осторожный, осмотрительный) as hell even with that police captain for his shadow."

Hagen snapped his fingers. "That detective, that guy Phillips. Why don't you give him a ring, Sonny? Maybe he can find out where the hell the captain can be reached. It's worth a try. McCluskey won't give a damn who knows where he's going."

Sonny picked up the phone and dialed a number. He spoke softly into the phone, then hung up. "He'll call us back," Sonny said.

They waited for nearly another thirty minutes and then the phone rang. It was Phillips. Sonny jotted something down on his pad and then hung up. His face was taut (туго натянутый, подтянутый [to:t]). "I think we've got it," he said. "Captain McCluskey always has to leave word on where he can be reached. From eight to ten tonight he'll be at the Luna Azure up in the Bronx. Anybody know it?"

Tessio spoke confidently. "I do. It's perfect for us. A small family place with big booths (booth [bu:р] – киоск, будка, кабина) where people can talk in private. Good food. Everybody minds their own business. Perfect." He leaned over Sonny's desk and arranged stubbed-out (stub – пень; обломок; окурок; to stub out – погасить /окурок/) cigarettes into map figures. "This is the entrance. Mike, when you finish just walk out and turn left, then turn the corner. I'll spot you and put on my headlights and catch you on the fly. If you have any trouble, yell and I'll try to come in and get you out. Clemenza, you gotta work fast. Send somebody up there to plant (сажать /растение/; размещать) the gun. They got an old-fashioned toilet with a space between the water container and the wall. Have your man tape the gun behind there. Mike, after they frisk you in the car and find you're clean, they won't be too worried about you. In the restaurant, wait a bit before you excuse yourself. No, better still, ask permission to go. Act a little in trouble first, very natural. They can't figure anything. But when you come out again, don't waste any time. Don't sit down again at the table, start blasting. And don't take chances. In the head, two shots apiece, and out as fast as your legs can travel." Sonny had been listening judiciously. "I want somebody very good, very safe, to plant that gun," he told Clemenza. "I don't want my brother coming out of that toilet with just his dick (половой член /сленг/) in his hand."

Clemenza said emphatically (с пафосом, с эмфазой, решительно, категорически [ım'fжtık∂lı]), "The gun will be there."

"OK," Sonny said. "Everybody get rolling."

Tessio and Clemenza left. Tom Hagen said, "Sonny, should I drive Mike down to New York?"

"No," Sonny said. "I want you here. When Mike finishes, then our work begins and I'll need you. Have you got those newspaper guys lined up?"

Hagen nodded. "I'll be feeding them info as soon as things break."

Sonny got up and came to stand in front of Michael. He shook his hand. "OK, kid," he said, "you're on. I'll square it with Mom your not seeing her before you left. And I'll get a message to your girl friend when I think the time is right. OK?"

"OK," Mike said. "How long do you think before I can come back?"

"At least a year," Sonny said.

Tom Hagen put in, "The Don might be able to work faster than that, Mike, but don't count on it. The time element hinges (hinge – петля /дверная/; to hinge – крепиться; зависеть от чего-либо) on a lot of factors. How well we can plant stories with the newsmen. How much the Police Department wants to cover up. How violently the other Families react. There's going to be a hell of a lot of heat and trouble. That's the only thing we can be sure of."

Michael shook Hagen's hand. "Do your best," he said. "I don't want to do another three-year stretch away from home."

Hagen said gently, "It's not too late to back out, Mike, we can get somebody else, we can go back over our alternatives. Maybe it's not necessary to get rid of Sollozzo."

Michael laughed. "We can talk ourselves into any view-point," he said. "But we figured it right the first time. I've been riding the gravy train (gravy train – легкая нажива, выгодное предприятие; gravy – подливка; легкая нажива, незаконные доходы /сленг/) all my life, it's about time I paid my dues (пора платить по счету, за проезд)."

"You shouldn't let that broken jaw influence you," Hagen said. "McCluskey is a stupid man and it was business, not personal."

For the second time he saw Michael Corleone's face freeze into a mask that resembled uncannily (жутко, зловеще) the Don's. "Tom, don't let anybody kid you. It's all personal, every bit of business. Every piece of shit every man has to eat every day of his life is personal. They call it business. OK. But it's personal as hell. You know where I learned that from? The Don. My old man. The Godfather. If a bolt (молния) of lightning hit a friend of his the old man would take it personal. He took my going into the Marines personal. That's what makes him great. The Great Don. He takes everything personal. Like God. He knows every feather that falls from the tail of a sparrow (воробей) or however the hell it goes. Right? And you know something? Accidents don't happen to people who take accidents as a personal insult. So I came late, OK, but I'm coming all the way. Damn right, I take that broken jaw personal; damn right, I take Sollozzo trying to kill my father personal." He laughed. "Tell the old man I learned it all from him and that I'm glad I had this chance to pay him back for all he did for me. He was a good father." He paused and then he said thoughtfully to Hagen, "You know, I can never remember him hitting me. Or Sonny. Or Freddie. And of course Connie, he wouldn't even yell at her. And tell me the truth, Tom, how many men do you figure the Don killed or had killed."

Tom Hagen turned away. "I'll tell you one thing you didn't learn from him: talking the way you're talking now. There are things that have to be done and you do them and you never talk about them. You don't try to justify them. They can't be justified. You just do them. Then you forget it."

Michael Corleone frowned. He said quietly, "As the Consigliori, you agree that it's dangerous to the Don and our Family to let Sollozzo live?"

"Yes," Hagen said.

"OK," Michael said. "Then I have to kill him."

Michael Corleone stood in front of Jack Dempsey's restaurant on Broadway and waited for his pickup. He looked at his watch. It said five minutes to eight. Sollozzo was going to be punctual. Michael had made sure he was there in plenty of time. He had been waiting fifteen minutes.

All during the ride from Long Beach into the city he had been trying to forget what he had said to Hagen. For if he believed what he said, then his life was set on an irrevocable (неотменяемый, бесповоротный [ı’rev∂k∂bl]) course. And yet, could it be otherwise after tonight? He might be dead after tonight if he didn't stop all this crap, Michael thought grimly. He had to keep his mind on the business at hand. Sollozzo was no dummy (дурик) and McCluskey was a very tough egg. He felt the ache in his wired jaw and welcomed the pain, it would keep him alert.

Broadway wasn't that crowded on this cold winter night, even though it was near theater time. Michael flinched as a long black car pulled up to the curb and the driver, leaning over, opened the front door and said, "Get in, Mike." He didn't know the driver, a young punk with slick black hair and an open shirt, but he got in. In the back seat were Captain McCluskey and Sollozzo.

Sollozzo reached a hand over the back of the seat and Michael shook it. The hand was firm, warm and dry. Sollozzo said, "I'm glad you came, Mike. I hope we can straighten everything out. AIl this is terrible, it's not the way I wanted things to happen at all. It should never have happened."

Michael Corleone said quietly, "I hope we can settle things tonight, I don't want my father bothered any more."

"He won't be," Sollozzo said sincerely. "I swear to you by my children he won't be. Just keep an open mind when we talk. I hope you're not a hothead like your brother Sonny. It's impossible to talk business with him."

Captain McCluskey grunted. "He's a good kid, he's all right." He leaned over to give Michael an affectionate pat (похлопывание) on the shoulder. "I'm sorry about the other night, Mike. I'm getting too old for my job, too grouchy (ворчливый, здесь: легко срываюсь). I guess I'll have to retire pretty soon. Can't stand the aggravation (ухудшение состояния; здесь: досада, раздражение), all day I get aggravation. You know how it is." Then with a doleful (скорбный, страдальческий) sigh, he gave Michael a thorough frisk for a weapon.

Michael saw a slight smile on the driver's lips. The car was going west with no apparent attempt to elude any trailers (избежать фургонов, прицепов [ı'lu:d]). It went up on to the West Side Highway, speeding in and out of traffic. Anyone following would have had to do the same. Then to Michael's dismay (испуг, смятение [dıs’mei]) it took the exit for the George Washington Bridge, they were going over to New Jersey. Whoever had given Sonny the info on where the meeting was to be held had given him the wrong dope.

The car threaded (машина пробралась, проскользнула; thread [θred] – нить) through the bridge approaches (подступы, подходы) and then was on it, leaving the blazing (to blaze – сверкать, сиять, блистать) city behind. Michael kept his face impassive. Were they going to dump (выгрузить, вывалить; избавиться, бросить) him into the swamps or was it just a last-minute change in meeting place by the wily Sollozzo? But when they were nearly all the way across, the driver gave the wheel a violent twist. The heavy automobile jumped into the air when it hit the divider and bounced over into the lanes going back to New York City. Both McCluskey and Sollozzo were looking back to see if anyone had tried doing the same thing. The driver was really hitting it back to New York and then they were off the bridge and going toward the East Bronx. They went through the side streets with no cars behind them. By this time it was nearly nine o'clock. They had made sure there was no one on their tail. Sollozzo lit up a cigarette after offering his pack to McCluskey and Michael, both of whom refused. Sollozzo said to the driver, "Nice work. I'll remember it."

Ten minutes later the car pulled up in front of a restaurant in a small Italian neighborhood. There was no one on the streets and because of the lateness of the hour only a few people were still at dinner. Michael had been worried that the driver would come in with them, but he stayed outside with his car. The negotiator had not mentioned a driver, nobody had. Technically Sollozzo had broken the agreement by bringing him along. But Michael decided not to mention it, knowing they would think he would be afraid to mention it, afraid of ruining the chances for the success of the parley (разговор, переговоры [pα:lı].

The three of them sat at the only round table, Sollozzo refusing a booth. There were only two other people in the restaurant. Michael wondered whether they were Sollozzo plants (‘подсадные утки’; to plant – сажать /растение/). But it didn't matter. Before they could interfere it would be all over.

McCluskey asked with real interest, "Is the Italian food good here?"

Sollozzo reassured him. "Try the veal (телятина), it's the finest in New York." The solitary waiter had brought a bottle of wine to the table and uncorked it (вынул пробку: cork). He poured three glasses full. Surprisingly McCluskey did not drink. "I must be the only Irishman who don't take the booze (алкоголь, выпивка /сленг/)," he said. "I seen too many good people get in trouble because of the booze."

Sollozzo said placatingly (to placate – умиротворять, унимать, успокаивать) to the captain, "I am going to talk Italian to Mike, not because I don't trust you but because I can't explain myself properly in English and I want to convince Mike that I mean well, that it's to everybody's advantage for us to come to an agreement (соглашение) tonight. Don't be insulted by this, it's not that I don't trust you."

Captain McCluskey gave them both an ironic grin.

"Sure, you two go right ahead," he said. "I'll concentrate on my veal and spaghetti."

Sollozzo began speaking to Michael in rapid (быстрый, беглый) Sicilian. He said, "You must understand that what happened between me and your father was strictly a business matter. I have a great respect for Don Corleone and would beg for the opportunity to enter his service. But you must understand that your father is an old- fashioned man. He stands in the way of progress. The business I am in is the coming thing, the wave of the future, there are untold millions of dollars for everyone to make. But your father stands in the way because of certain unrealistic scruples (сомнения, угрызения совести). By doing this he imposes his will on men like myself. Yes, yes, I know, he says to me, 'Go ahead, it's your business,' but we both know that is unrealistic. We must tread on each other's corns (будем наступать друг другу на мозоль; corn – зерно; мозоль). What he is really telling me is that I cannot operate my business. I am a man who respects himself and cannot let another man impose his will on me so what had to happen did happen. Let me say that I had the support, the silent support of all the New York Families. And the Tattaglia Family became my partners. If this quarrel (ссора, раздор [‘kwor∂l]) continues, then the Corleone Family will stand alone against everyone. Perhaps if your father were well, it could be done. But the eldest son is not the man the Godfather is, no disrespect intended (без обиды будет сказано: "никакое неуважение не входит в намерение"). And the Irish Consigliori, Hagen, is not the man Genco Abbandando was, God rest his soul (упокой его душу). So I propose a peace, a truce (перемирие). Let us cease all hostilities (прекратить враждебные действия) until your father is well again and can take part in these bargainings. The Tattaglia Family agrees, upon my persuasions and my indemnities (indemnity – гарантия от убытков; возмещение), to forgo (отказаться, воздержаться) justice for their son Bruno. We will have peace. Meanwhile, I have to make a living and will do a little trading in my business. I do not ask your cooperation but I ask you, the Corleone Family, not to interfere. These are my proposals. I assume (предполагаю) you have the authority to agree, to make a deal."

Michael said in Sicilian, "Tell me more about how you propose to start your business, exactly what part my Family has to play in it and what profit we can take from this business."

"You want the whole proposition in detail then?" Sollozzo asked.

Michael said gravely, "Most important of all I must have sure guarantees that no more attempts will be made on my father's life."

Sollozzo raised his hand expressively. "What guarantees can I give you? I'm the hunted one. I've missed my chance. You think too highly of me, my friend. I am not that clever."

Michael was sure now that the conference was only to gain a few days' time. That Sollozzo would make another attempt to kill the Don. What was beautiful was that the Turk was underrating him as a punk kid. Michael felt that strange delicious chill filling his body. He made his face look distressed. Sollozzo asked sharply, "What is it?"

Michael said with an embarrassed air, "The wine went right to my bladder (мочевой пузырь). I've been holding it in. Is it all right if I go to the bathroom?" Sollozzo was searching his face intently with his dark eyes. He reached over and roughly thrust his hand in Michael's crotch, under it and around, searching for a weapon. Michael looked offended. McCluskey said curtly, "I frisked him. I've frisked thousands of young punks. He's clean."

Sollozzo didn't like it. For no reason at all he didn't like it. He glanced at the man sitting at a table opposite them and raised his eyebrows toward the door of the bathroom. The man gave a slight nod that he had checked it, that there was nobody inside. Sollozzo said reluctantly (неохотно), "Don't take too long." He had marvelous antenna, he was nervous.

Michael got up and went into the bathroom. The urinal had a pink bar of soap in it secured by a wire net. He went into the booth. He really had to go, his bowels (кишечник) were loose (свободный, непривязанный; несдерживаемый). He did it very quickly, then reached behind the enamel (эмалированный [ı’nжm∂l]) water cabinet until his hand touched the small, blunt-nosed (blunt – тупой) gun fastened with tape. He ripped the gun loose, remembering that Clemenza had said not to worry about leaving prints on the tape. He shoved the gun into his waistband (пояс) and buttoned his jacket over it. He washed his hands and wet his hair. He wiped his prints off the faucet (вентиль, втулка; водопроводный кран [fo:sıt]) with his handkerchief. Then he left the toilet.

Sollozzo was sitting directly facing the door of the toilet, his dark eyes blazing with alertness. Michael gave a smile. "Now I can talk," he said with a sigh of relief.

Captain McCluskey was eating the plate of veal and spaghetti that had arrived. The man on the far wall had been stiff with attention, now he too relaxed visibly.

Michael sat down again. He remembered Clemenza had told him not to do this, to come out of the toilet and blaze away. But either out of some warning instinct or sheer funk (или просто от испуга, со страха; funk – сильный запах, зловоние) he had not done so. He had felt that if he had made one swift move he would have been cut down. Now he felt safe and he must have been scared because he was glad he was no longer standing on his legs. They had gone weak with trembling.

Sollozzo was leaning toward him. Michael, his belly covered by the table, unbuttoned his jacket and listened intently. He could not understand a word the man was saying. It was literally gibberish (невнятная речь, тарабарщина [‘gıb∂rı∫]) to him. His mind was so filled with pounding (to pound – бить/ся/, колотить/ся/) blood that no word registered. Underneath the table his right hand moved to the gun tucked into his waistband and he drew it free. At that moment the waiter came to take their order and Sollozzo turned his head to speak to the waiter. Michael thrust the table away from him with his left hand and his right hand shoved the gun almost against Sollozzo's head.

The man's coordination was so acute ([∂‘kju:t] остроконечный, острый; сильный, резкий) that he had already begun to fling himself away at Michael's motion. But Michael, younger, his reflexes sharper, pulled the trigger. The bullet caught Sollozzo squarely between his eye and his ear and when it exited on the other side blasted out a huge gout (брызги, поток) of blood and skull fragments onto the petrified (остолбеневший; to petrify [‘petrıfaı] – превращать/ся/ в камень, окаменевать) waiter's jacket. Instinctively Michael knew that one bullet was enough. Sollozzo had turned his head in that last moment and he had seen the light of life die in the man's eyes as clearly as a candle goes out.

Only one second had gone by as Michael pivoted to bring the gun to bear on McCluskey. The police captain was staring at Sollozzo with phlegmatic surprise, as if this had nothing to do with him. He did not seem to be aware of his own danger. His veal-covered fork was suspended ("подвешенная" = застывшая в воздухе) in his hand and his eyes were just turning on Michael. And the expression on his face, in his eyes, held such confident outrage (такое самоуверенное возмущение), as if now he expected Michael to surrender or to run away, that Michael smiled at him as he pulled the trigger. This shot was bad, not mortal (смертельный). It caught McCluskey in his thick bull-like throat and he started to choke loudly as if he had swallowed too large a bite of the veal. Then the air seemed to fill with a fine mist of sprayed blood as he coughed it out of his shattered lungs (легкие). Very coolly, very deliberately, Michael fired the next shot through the top of his white-haired skull.

The air seemed to be full of pink mist (розовая дымка). Michael swung toward the man sitting against the wall. This man had not made a move. He seemed paralyzed. Now he carefully showed his hands on top of the table and looked away. The waiter was staggering back toward the kitchen, an expression of horror on his face, staring at Michael in disbelief. Sollozzo was still in his chair, the side of his body propped up (to prop – подпирать) by the table. McCluskey, his heavy body pulling downward, had fallen off his chair onto the floor. Michael let the gun slip out of his hand so that it bounced off (отскочил от; bounce – бумс! бух!) his body and made no noise.

He saw that neither the man against the wall nor the waiter had noticed him dropping the gun. He strode the few steps toward the door and opened it. Sollozzo's car was parked at the curb still, but there was no sign of the driver. Michael turned left and around the corner. Headlights flashed on and a battered sedan pulled up to him, the door swinging open. He jumped in and the car roared away. He saw that it was Tessio at the wheel, his trim features hard as marble.

"Did you do the job on Sollozzo?" Tessio asked.

For that moment Michael was struck by the idiom Tessio had used. It was always used in a sexual sense, to do the job on a woman meant seducing (to seduce [sı’dju:s] – соблазнять) her. It was curious that Tessio used it now. "Both of them," Michael said.

"Sure?" Tessio asked.

"I saw their brains," Michael said.

There was a change of clothes for Michael in the car. Twenty minutes later he was on an Italian freighter slated (to slate – намечать, планировать) for Sicily. Two hours later the freighter put out to sea and from his cabin Michael could see the lights of New York City burning like the fires of hell. He felt an enormous sense of relief. He was out of it now. The feeling was familiar and he remembered being taken off the beach of an island his Marine division had invaded (to invade – захватывать, вторгаться, оккупировать). The battle had been still going on but he had received a slight wound and was being ferried back (ferry – паром) to a hospital ship. He had felt the same overpowering relief then that he felt now. All hell would break loose (разразится) but he wouldn't be there.

On the day after the murder of Sollozzo and Captain McCluskey, the police captains and lieutenants in every station house in New York City sent out the word: there would be no more gambling, no more prostitution, no more deals of any kind until the murderer of Captain McCluskey was caught. Massive raids began all over the city. All unlawful business activities came to a standstill (полностью остановились; standstill – остановка, пауза).

Later that day an emissary from the Families asked the Corleone Family if they were prepared to give up the murderer. They were told that the affair did not concern them. That night a bomb exploded in the Corleone Family mall in Long Beach, thrown from a car that pulled up to the chain, then roared away. That night also two button men of the Corleone Family were killed as they peaceably ate their dinner in a small Italian restaurant in Greenwich Village. The Five Families War of 1946 had begun.

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